Spider-Man: Un Nuovo Universo ha sbaragliato la concorrenza agli Annie Awards 2019, i premi che vengono assegnati dall'associazione animatori americani che ha decretato il cartoon targato Sony Pictures Animation come film d'animazione dell'anno.

Il film ha vinto in totale sette premi (miglior film, miglior regia, miglior sceneggiatura, migliori scenografie, migliore character animation, miglior character design e miglior montaggio) confermandolo quindi come frontrunner agli Oscar.

Gli Incredibili 2, invece, si è dovuto accontentare di due premi (colonna sonora e storyboard) su 11 nomination.


I vincitori degli Annie Awards 2019


  • Best Animated Feature - “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)
  • Best Animated Feature-Independent - “Mirai” (Studio Chizu)
  • Best Animated Special Production - “Mary Poppins Returns” (Walt Disney Studios)
  • Best Animated Short Subject - “Weekends” (Past Lives Productions)
  • Best Virtual Reality Production - “Crow: The Legend” (Baobab Studios)
  • Best Animated Television/Broadcast Commercial - “Greenpeace: There’s a Rang-Tan In My Bedroom” (Passion Animation Studios)
  • Best Animated Television/Broadcast Production For Preschool Children - “Ask the StoryBots,” Episode: How Do Computers Work? (JibJab Bros. Studios for Netflix)
  • Best Animated Television/Broadcast Production For Children - “Hilda” Episode: Chapter 1: The Hidden People (Hilda Productions Limited, a Silvergate Media Company, Netflix Inc. and Mercury Filmworks)
  • Best General Audience Animated Television/Broadcast Production - “BoJack Horseman,” Episode: The Dog Days are Over (Tornante Productions, LLC for Netflix)
  • Best Student Film - “Best Friend,” Nicholas OLIVIERI, Yi SHEN, Juliana DE LUCCA, Varun NAIR, David FELIU (Gobelins, lécole de l’image)
  • Animated Effects in an Animated Television/Broadcast Production - David M.V. Jones, Vincent Chou, Clare Yang, “Tales of Arcadia: Trollhunters,” Episode: “The Eternal Knight Part 2” (DreamWorks Animation Television)
  • Animated Effects in an Animated Feature Production - Cesar Velazquez, Marie Tollec, Alexander Moaveni, Peter DeMund, Ian J. Coony - “Ralph Breaks The Internet” (Walt Disney Animation Studios)
  • Character Animation in an Animated Television / Broadcast Production - Scott Lewis, “Hilda” (Hilda Productions Limited, a Silvergate Media Company, Netflix Inc. and Mercury Filmworks)
  • Character Animation In An Animated Feature Production - David Han, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation Animator)
  • Character Animation in a Live Action Production - Chris Sauve, James Baxter, Sandro Cleuz, “Mary Poppins Returns” (Walt Disney Pictures)
  • Character Animation in a Video Game - Adrian Miguel, Adrian Garcia, “GRIS” (Nomada Studio)
  • Character Design in an Animated Television / Broadcast Production - Amanda Jolly, “Rapunzel’s Tangled Adventure,” Episode: Freebird (Walt Disney Television Animation)
  • Character Design In An Animated Feature Production - Shiyoon - Kim, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)
  • Directing in an Animated Television / Broadcast Production - Eddie Trigueros, “Disney Mickey Mouse,” Episode: “Feed the Birds” (Disney Television Animation)
  • Directing In An Animated Feature Production - Bob Persichetti, Peter Ramsey, Rodney Rothman, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)
  • Music in an Animated Television / Broadcast Production - Christopher Willis, “Disney Mickey Mouse,” Episode: “Springtime” (Disney Television Animation)
  • Music in an Animated Feature Production - Michael Giacchino, “Incredibles 2,” (Pixar Animation Studios)
  • Production Design in an Animated Television / Broadcast Production - Céline Desrumaux, Jasmin Lai, “Age of Sail” (Google Spotlight Stories, Broad Reach Pictures)
  • Production Design In An Animated Feature Production - Justin K. Thompson, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)
  • Storyboarding in an Animated Television / Broadcast Production - Alonso Ramirez Ramos, “Disney Mickey Mouse,” Episode: “Carnaval” (Disney Television Animation) (tie) Kevin Molina-Ortiz, “Rise of the Teenage Mutant Ninja Turtles” Episode: “Mystic Mayhem” (Nickelodeon Animation Studio)
  • Storyboarding in an Animated Feature Production - Dean Kelly, “Incredibles 2” (Pixar Animation Studios)
  • Voice Acting in an Animated Television / Broadcast Production - Will Arnett (as Bojack), “BoJack Horseman,” Episode: “Free Churro” (Tornante Productions, LLC for Netflix)
  • Voice Acting in an Animated Feature Production - Bryan Cranston (as Chief), “Isle of Dogs” (Fox Searchlight Pictures / Indian Paintbrush / American Empirical Pictures)
  • Writing in an Animated Television / Broadcast Production - Stephanie Simpson, “Hilda,” Episode: “Chapter 8: The Tide Mice” (Hilda Productions Limited, a Silvergate Media Company, Netflix Inc. and Mercury Filmworks)
  • Writing In An Animated Feature Production - Phil Lord, Rodney Rothman, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)
  • Editorial in an Animated Television / Broadcast Production - Charles Jones, Joe Molinari, Dao Le, Vartan Nazarian, “Big Hero 6: The Series” (Walt Disney Television Animation)
  • Editorial In An Animated Feature Production - Bob Fisher, Andrew Leviton, Vivek Sharma, “Spider-Man: Into the Spider-Verse” (Sony Pictures Animation)

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